Cyclically I begin the meditation: God help me, I yearn for dead things. A yearning for Al-Ghayb, stability of morphing earth, falling fyre from trees, like the sailor’s cosmic map, the hour hand is my Polaris. Now painter! Hear and listen, these are the directions for your next piece: Twelve anvuls of Drenski to fill autumnal air; six anvuls of harmonious Vurnisk to sow the sky with cream, three anvuls of Kredinsk for the breasts of flitted craw-beaks, and small specks of Greniski—three quarters anvul—to catch her winklers and tops. For the glory of our Gods is creation, and your glory is the fine flesh between— those brilliant consanguinities of triunic ardor—sweat of eternal seven days. And my glory is you. It was always you. To know you deeply. And to cry out, in prayer, your name which is the essence of all names, that beautiful code, nucleotidiamos de Theotokos. Until the gay angel laughs, and every thing that is moving is frozen in its movement. We give
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Holy cow, dude! This is wildly alive! So much texture of sound and meaning here. Superb.